Latest Published Writing

Bri writes about: art, fashion, culture, pop culture, social issues, feminism, and law. She specialises in features, interviews, and essays.

 
 
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My Inbox After #MeToo
Personal Essay for The Saturday Paper
8 September 2018

I had braced myself for the messages from strangers. But the first wave came from people I knew. It didn’t matter that I’d changed my privacy settings on Facebook and set up a new public-facing email address. These were friends, family, colleagues, and friends from school and university, people who had my number, pouring their stories out to me over text message and asking if they could call me. It was late May, days before my book, Eggshell Skull, would even be officially released.

The book is personal, a memoir of my experience finally going to the police about a crime committed against me when I was a child. It ends with me in a courtroom, being cross-examined and called a liar. Court wasn’t unfamiliar place to me. Before all of this I’d been a judge’s associate, I’d spent a year listening to the heinous details of sex crimes. But I couldn’t handle the horror stories in that job; I struggled with intense vicarious trauma. Now the stories are back. Some days in the last three months I’ve wondered whether I stepped out of the furnace and into the fire.

 
 
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'On Rape' is not good enough to be truly controversial
Critique for Crikey
6 September 2018

On Rape is a tiny book with a gargantuan title.

Coming in at a bit over 10,000 words, it is part of a larger Melbourne University Press series (alongside Sarah Ferguson's On Mother and Leigh Sales' On Doubt, which are between 10,000 and 15,000 words each). That’s a nice, long essay; enough space for other authors to achieve a structured and specific pondering. But Greer’s approach is to split the book into nine even smaller sections with titles like “Joystick or Weapon?” and “Cure, Kill, or Castrate the Perp?” Rather than focusing our attention on smaller facets of the issue to build a discernible argument, the result is rambling.

 
 
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Nuance & Negligence
vault australasian art and culture magazine: issue #23
1 August 2018

The #METOO movement crashing into the art world has left us with murkier matters than simple two-sided debates over aestheticism and censorship. The first casualty of call-out culture can often be nuance, but these reckonings—these truths coming to light—are also necessary and important. When our art reflects our society and culture back to us and that reflection is ugly, the challenge is what to do next. 

It would seem that the art world has quickly acquired a firm backhand for non-artists whose behaviours come under scrutiny. Late 2017 saw a few giant pillars fall. Knight Landesman was a longtime publisher of Artforum magazine and also a power broker in the art world. He resigned after nine women filed a civil law suit against him that contained allegations spanning almost a decade including “groping them, attempting to kiss them, sending them vulgar messages and, on occasion, retaliating against them when they spurned his advances.”     

 
 
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Exclusive: Christian lobby academic heads law school
News for The Saturday Paper
21 July 2018

Two months ago, the University of Queensland announced Professor Patrick Parkinson as the next head of its TC Beirne School of Law and the school’s new academic dean... ...The official announcement made no mention of Parkinson’s affiliations with religious lobbying groups, including the Australian Christian Lobby (ACL), nor his conservative advocacy. It did not address the role Parkinson and his research played in both the marriage equality vote and the opposition to the Safe Schools program. Since the announcement, staff, students, alumni and LQBTQIA+ legal professional organisations have expressed concerns about Professor Parkinson’s appointment to The Saturday Paper.

 
 
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Why does Season Two of The Handmaid's Tale sound so good?
Feature Article for Double J
20 June 2018

There’s a reason most people stick to violins and timpani for soundtracks—they’re universal. Instrumental scores can build tension until you’re cringing, or they can let the soul soar with elation. Use some percussion and strings (and maybe a dash of a horn section) and there’s about 80 percent of your audio accompaniment needs. But what about the wants? What about what might be possible?

Season two sees The Handmaids Tale join the ranks of Stranger Things, Fargo, and (arguably) Girls as a series that nails the tunes and makes good television great. Music supervisor Maggie Phillips has taken over from Michael Perlmutter (who got comprehensively burned by Pitchfork for his season one choices) and it’s banger after banger.

A good music supervisor should know us so well – what we want and what we don’t yet know we want – that they’re basically friends we trust enough to make us Spotify playlists.

 
 
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How Australian Courts are Stacked Against Victims of Sexual Assault
Legal Analysis for Crikey
12 June 2018

Much has been written about jury trials since the #MeToo wave came crashing through society. The movement that began with questioning men’s behaviour towards women has now rolled swiftly through to a questioning of the systems and establishments that either implicitly facilitate or expressly encourage sex offending. I’m interested in turning this critical lens in on the legal process itself.  In Australian courts the judges decide matters of “law” and juries are tasked with determining questions of “fact”. It’s a critical distinction, albeit with blurry edges. 

 
 
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How sci-fi soundtracks shape our imagining of the future
Feature Article for Double J
5 June 2018

Books and movies set in the future tell us not just what we think will happen in the future, but also what we hope and what we are afraid will happen in the future. So, what does this mean for music in film? What does the future sound like? We’re close to the year 2020, which means we’ll soon be living a reality that so many people always pegged as the far-away future. “Twenty-twenty” has long been full of targets, hopes, and terrors. More specifically, we’re close to 2019, the year in which the original 1982 Ridley Scott Blade Runner film was set.

Listening to the soundtrack now, the warping, fuzzy tones are offset by the undulating, non-stop keyboard arpeggios. It is both tense and dragging. Almost entirely in minor chords, of course, it follows the same building of dread and unease that the film cultivates with the decrepit, almost-recognisable post-apocalyptic Los Angeles.

 
 
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How to Know if You're Ready to go to the Police? What I Learned
Comment for The Guardian
21 May 2018

It will take a long time and there’s no rushing it. For me (and for others I’ve spoken to), the decision to finally make an official police complaint about a sex offence wasn’t so much a “lightbulb moment” as the gradual knocking away at a tall wall with a small mallet, brick by brick.

Not just any old wall of insecurities, either. I’m talking about the wall that you started putting up from the moment you realised what had been done to you. The one that’s taken years and been fortified by all the casual sexism you absorb every day. The bricks that people added when they didn’t believe the other women you saw come forward, and the bricks you added yourself when you realised how expensive it would be to start seeing a psychologist.

 
 
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an interview with lyn & tony -
vault australasian art and culture magazine: issue #22
1 june 2018

A lot changes in the life of Lyn & Tony. The duo split their time between two drastically different home studio locations – one in inner-city Sydney and the other among cane fields near Byron Bay. They have multiple projects with multiple collaborators constantly underway. Although they started out in fashion photography, their practice spans art photography, jewellery design, sculpture, installation, fragrance, and a combination of all of the above. The only constant in their lives, it would seem, is each other.

 
 
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Associated risk - an edited extract of eggshell skull
published in good weekend magazine and syndicated across the sydney morning herald and the age
19 may 2018

It was a sweltering January in Brisbane, and day one of my new job as a judge's associate at the Queensland District Court. I had finished law school at the end of 2014 and returned to my home state in the new year after two months of travelling around the United States, eating hotdogs and drinking Budweiser.

New stretch marks at my hips were itchy from my fast increase in weight over the holidays. Sweat was soaking into the underarms of the shirt I'd ironed that morning. Things were off to a bad, and late, start.

I took a deep breath and knocked on Judge's door. He looked up and gave me a big smile. He invited me to take a seat and I remembered how nervous I'd been a year earlier, sitting in the same chair for the job interview. But as we chatted I also remembered how much we'd laughed together, how much I admired his lack of pretension.

 
 
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The Darkest Web: exploring the ugly world of illegal online marketplaces
an interview with author elieen ormsby for The guardian
22 march 2018

It’s an arresting concept: the idea that rippling beneath the internet there is a dark twin breathing and growing. A place where drugs are sold; where hitmen advertise their services; where material to match any sexual urge can be found. 

What pulls you through The Darkest Web isn’t its often-nefarious, sometimes-gory details, but Ormsby’s handling of three progressively intense narrative arcs. Split into sections, the reader is introduced to a few key characters in the dark web world at each level: Dark is about the marketplaces that popped up after the owner of Silk Road was arrested in late 2013 (he was later jailed for life); Darker follows one man who is determined to have his wife killed but who doesn’t realise the hitman site he’s found is a scam; and Darkest takes the reader through the nightmarish world of “child porn” (which many people believe is the wrong terminology for child exploitation material) communities.

 
 
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young lady, that's inappropriate
an essay for griffith revew: 56 - millennials strike back
2017


After graduating from law school, I spent a full and disturbing year working as a judge’s associate in the District Court of Queensland. The role required silence and discretion, and each week I sat, mute and powerless, watching things unfurl in front of me both in and out of court that made me want to get up and run. Forever the youngest in the room, often the only female, things that were normal to the seasoned lawyer unsettled me. I used to think all the time: Is anyone else seeing this?

...

Interestingly, however, the AIC noted a difference in perceptions of crime by gender: significantly more women than men reported beliefs that ‘a lot more’ violent crimes were being committed compared to previous years. Similarly, sticking out in uncomfortable contrast to the trend of a decrease in violent crimes, Milne noted: ‘There were 21,380 victims of sexual assault recorded by police during 2015. This was an increase of 3 per cent on the previous year, and the highest number of sexual assault reports we’ve seen in six years.’

 
 
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Risky relationships: why women are more likely to die of a broken heart
an interview with dr nikki stamp for The guardian
24 february 2018

Takotsubo cardiomyopathy – commonly known as broken heart syndrome – is rare but real. As a heart and lung surgeon, Dr Nikki Stamp has seen a few cases herself, and the phenomenon provides a compelling opening chapter to her first book, Can You Die of a Broken Heart? The title reminds us of when Debbie Reynolds died “of a broken heart” the day after her daughter, Carrie Fisher, passed away in 2016, but this book rises far above the online pseudoscience accompanying those reports. It is possible to be so affected by grief or shock that a predisposed heart simply cannot cope, and Stamp uses this as an opener to explore the myriad ways modern medicine is only recently understanding (and admitting) to the connection between body and emotion.

 
 
 
 Interview with fashion designer Ingrid Verner for  VAULT Magazine

Interview with fashion designer Ingrid Verner for VAULT Magazine

 Interview with musician Megan Washington for  The Upsider

Interview with musician Megan Washington for The Upsider

 

Larger back catalogue

The Upsider – Megan Washington on playing with stutters and symphony orchestras

VAULT Mazaine: Issue 20 – “Urban Art Projects” an interview with Daniel Tobin

VAULT Magazine: Issue 19 – “What Fashion Means” an interview with Ingrid Verner

Griffith Review 57: Perils of Populism – What Ripples Beneath

Kill Your Darlings – ‘Memoir at any Age’ six-part interview series – featuring Lech Blaine, Fiona Wright, Anita Heiss, Richard Fidler, and Patti Miller

Griffith Review 56: Millennials Strike Back – Young Lady, That’s Inappropriate

The Guardian – Caroline Baum on the loneliness of growing older as an only child

The Cusp – Should The Decision To Have Children Be Taught In Schools?

Catalogue Magazine – The Breast Friend interview series (Five individual interviews published as part of a weekly series)

The Guardian – “Eerie and disturbing”: Holly Throsby on true crime and her first novel

Kill Your Darlings – The heart of the matter: An interview with Laura Elizabeth Woollett

Broadly – Tkay Maidza is going to show the world what an Australian rapper looks like

Broadly – Australian model Stefania Ferrario is spearheading the #DropThePlus movement

Kill Your Darlings – Shame and the “M” Word: On writing memoir in your twenties

The Guardian – “I was paralysed by fear”: Liam Pieper on writing about the Holocaust

i-D – Mother-daughter label OATS proves mums make the best business partners

The Writers Bloc –  The Book That: Finally Got Me Writing Again (Thank you, Helen Garner)

Zanita Studio – Various articles throughout 2016

The Writers Bloc –  Literary Cities: New York City

Acclaim Magazine – Comic Book Comeback

The Writers Bloc – Inching Towards Bethlehem